Resonance in the Tiwanaku Culture

Tiwanaku Texts Depict Dinosaurs & the DNA Double-Helix

by Alex Putney for Human-Resonance.org
October 10, 2014

Our modern comprehension of the highly advanced technological means possessed by ancient human civilizations emerges from the rapid scientific progress that has revolutionized our daily way of life. Electrical engineering for artificial illumination technologies using filaments, bulbs, fixtures, batteries and cables were well known to ancient civilizations, and used exclusively within piezoelectric stone pyramids and temples.

While remains of the fine glass bulbs, metal filaments, fittings and insulated cables have not been identified due to lack of preservation or misinterpretation, ancient batteries such as the Bagdad artifact are now well known. Stonework reliefs from the walls of stone temples such as Dendera, Egypt depict giant vacuum bulb UV-A light healing devices with glowing plasma filaments shown as snakes. Entwined snakes represent the DNA helix in ancient sacred artwork; in Ethiopia, China, and in Greece as the Caduceus, winged for flight.

A ceramic bowl recovered during excavations in the sandy desert soils of Paracas, Peru was inscribed with a hypnotic set of Paleo-Sanskrit glyphs for 'nau-vimana' spacecraft, reading: nau pra nau pra nau pra , meaning "spaceships advancing, spaceships advancing, spaceships advancing..." (above).

The alternating orange and yellow glaze painting creates a 3-dimensional illusion of the double-helical structure of DNA, as similarly recorded in Mayan iconography where it is also specifically associated with psychoacoustic effects of the pyramids for achieving advanced genetic augmentation, as witnessed in the elongated skulls of the Paracas giants and Pharaonic lines that dominated the use of pyramids in Egypt.

At Paracas and many other ancient sites in the Andes, the bones of giant humanoids with extreme cranial augmentation are often unearthed as mummies with huge, intricately woven clothing items. Oversized coats woven from fine gold and silver threads recovered from tunnel systems in Peru could only have been worn by giants, as a human being of normal stature simply cannot support their great weight.

Hieroglyphic texts cover a giant 1.5m square tunic excavated from tombs at the megalithic complex of Tiwanaku, in Bolivia. A stunning mirrored maze of block shapes depicts the Hero Twins, each bearing the serpent staff representing DNA in its unwound ladder-like configuration induced by the infrasonic radiations of Jupiter, as encoded in the large square format of the tunic signified by the square 'Indra' glyph.

Severed heads represent the desynchronization of brainwaves from the heartbeat and negative effects on DNA. Lines of alternating lock-and-key glyphs along the top of the tunic design display the four bases of DNA in color-matched pairs. The bodies of the twins are composed of several glyphs providing the phrase: Indra ai Indra ai Indra ai Indra ai sam raua Indra mi-is Indra Indra Indra ra-as raua , meaning "Jupiter, aye, Jupiter, aye..., the universal thundering of Jupiter synchronizing, Jupiter..., for granting roaring..." (above).

Paleo-Sanskrit pictograms on a jar fragment formed as a psychoacoustic flute-player give the statement: nau nau raua raua kar kar kar ra ra adhi nau adhi ra * ra * ra * ra * , meaning "spaceships..., roaring..., works granting..., granting delivering, spaceships delivering granting of the one, granting of the one..." (above).

A wooden cup from Tiwanaku provides reflexive Paleo-Sanskrit glyph texts in two incised bands encircling the drinking vessel that read: Indra Indra raua-as as-raua Indra Indra ra ra kar kar kar upama , meaning "Jupiter..., for roaring..., Jupiter..., granting..., works..., of the highest..." (above). Similar texts adorn wood and ceramic 'kero' drinking vessels from Tiwanaku --bearing depictions of dinosaurs representing the 'raua' glyph for 'roaring', as also appear in Paleolithic artifacts from Caria, Italy; Acambaro, Mexico and Ica, Peru.

The science of Paleontology was apparently well advanced by Paleo-Sanskrit society, with many ancient artworks displaying the distinctive features of dinosaurs that are also well known today. The conspicuous herbivorous dinosaur Stegosaurus, with a double row of large pyramid-shaped plates running the length of its back, was clearly rendered in two artifacts from Caria, Italy, and carved into doorway reliefs at Angkor.

A long-necked dinosaur is carved on a wooden kero from Ica, Peru praising the emanations of Jupiter with the repetitive votive phrase: upama vi vi plava kar kar upama nau ra ai Indra raua , meaning "The highest..., from..., inundating..., works of the highest..., spaceships granting..., aye, Jupiter roaring..." (above).

A similar text adorns another kero design from Ica with dinosaur pictograms, bearing the votive statement: raua plava ya raua plava ra kar kar upama raua , meaning "Thundering inundating..., initiating..., thundering inundating..., granting..., works..., of the highest, roaring..." (above).

A ceramic vessel from Ica displays a pair of therapod dinosaurs with embedded glyphs reading: raua nau adhi upama adhi-as , meaning "Roaring spaceships delivering the highest..., for delivering..." (above).

The repetitious visual patterning of glyph ligatures is offered in similar form through pictograms on several other cups from the Inka descendant civilization, including references to the Great Pyramid and rumbling ultra-low resonance of Jupiter. An intricate kero displays concentric squares with zig-zag DNA ladders reading: upama * plava-as * ya plava-as upama * Indra Indra * , meaning "The highest one..., for inundating..., the one initiating..., for inundating..., the highest one..., Jupiter..., the one..." (above).

A simpler version of this sacred pictographic text was inscribed on another wooden Inka kero, reading: raua plava ya raua plava Indra Indra , meaning "Roaring inundating..., initiating..., roaring inundating..., Jupiter, Jupiter..." (above). The continuity of language expressed among all Andean cultures is stunning.

Paleo-Sanskrit hieroglyphic texts were also woven into tapestries and cloth bands discovered among the tomb relics at excavations in Nazca, Peru, where mummified skeletons of giant proportions were also interred. A colorful band with text reads: kar vi mi-is : ra adhi ra Indra Indra , meaning "Works from synchrony (of) the two inundating..., granting, delivering granting..., Jupiter, Jupiter..." (above).

Votive items praising Indra carved from wood in Inka times used a wide range of sacred symbols that had remained unchanged for thousands of years, encoding the sacred bioelectrical science of the pyramids. A small ceramic incense burner from Tiwanaku was carved as a figure with hands raised in prayer, presenting glyphs embedded in the headband design and on the hands and feet. The simple votive text reads as: ra upama * upama * ra ris ris , meaning "Granting of the highest one, granting " (above).

Repeated references to the roaring resonance of the Great Pyramid and Jupiter offers an answer to the enigma presented by ancient stone spheres, many of giant proportions found in association with pyramids all over the world: for levitation by focused infrasound. Like the induced spinning of Nikola Tesla's metal egg, a special stand made of geopolymer stone allowed this sphere to make a spinning takeoff (above)!

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From the book Sanskrit

Copyright 2014-2015 Alexander Putney