Standing Waves and Auroral Plumes Depicted by the Maya Culture

Mandalas of the Maya: Celestial Waters and the Auroral Plumes of Tláloc

by Alex Putney for Human-Resonance.org
September 17, 2011

As we approach the close of this solar cycle, the predictions of Maya astronomy continue to unfold with stark accuracy. Their great teachings regarding the cosmic effects influencing our planetary environment are intimately connected with the rapid disintegration of the modern industrial world and the birth of a new consciousness among the human beings of Earth. The prophecies of the Maya culture penetrate to the heart of the ongoing quantum shifts that are being concurrently witnessed in human consciousness and in the atmospheric and tectonic processes of our planet.

Maya wisdom informs us that the quantum state of the Earth and the Sun are dictated by cycling galactic superwaves that are precisely tracked by the Long Count Tzolk'in calendar, one of many utilized by ancient Maya astronomers. The Tzolk'in Calendar stone (below) is a carved (or cast) block of limestone, very precisely designed as an octagonal mandala that is remarkably consistent with the Sanskrit mandalas of East Asia, as exemplified by the Kalachakra or 'Wheel of Time' sand paintings of Tibetan Buddhists. Corresponding concepts and word equivalents are shared by Sanskrit and Maya cultures:

(Sanskrit) kundalini = k'ulthanlilni (Maya)
(Sanskrit) chakra = chacla (Maya)

As observed throughout the sacred artwork of the Maya culture, the Calendar stone presents a geometric array of dozens of concentric circles of various sizes, which represent the fundamental force of infrasound resonance. Concentric rings of various diameters are divided into segments that reflect temporal cycles, while the whole calendar itself is designed as a mandala that encodes the quantum quadratic function for nonlinear standing waves [ zn+1 = zn2 ]:

The Tzolk'in Calendar stone is a visual representation of the grand cycle that will close on December 21, 2012, and the embedded fractal format of the mandala design encodes the form of Hunab K'u, the endless magnetic streams of lifeforce flowing in perfect geometric proportion through our planet and our bodies.

Ancient knowledge traditions from all parts of the globe understand the quantum state of the Earth and her surface inhabitants to be mitigated by the water element. Maya cosmology identifies Tláloc as the God of celestial waters, that rise as mists and are associated with growth and memory. Terrestrial waters flow always downward to deeper levels, being associated with entropy, forgetfulness and the Goddess Chalchiuhtlicue.

Different types of water are also recognized by today's scientists, who have defined 'lighter' and 'heavier' water molecules by their respective atomic weights. Light water is comprised of the high-resonance isotope of hydrogen known as Protium, which contains no neutron at its core. The heavier forms of water are comprised of the low-resonance isotopes of hydrogen known as Deuterium and Tritium, which contain 1 or 2 neutrons:

Special technologies have been designed to separate light water from heavy water by exploiting their slightly offset evaporation points to reduce the heavy molecules, providing a molecularly purified water defined as 'deuterium-depleted'. Laboratory experiments with pure Protium waters have not yet been published, but several studies conducted using deuterium-depleted waters have achieved astoundingly positive results, including cellular regeneration.

Maya wisdom regarding the downward flow of heavy waters laden with Deuterium may unravel the mystery of 'lakes' on the bottom of the ocean, discovered in 2006 on the floor of the Gulf of Mexico. Physical/chemical composition testing of the heavier 'lake' waters will determine both the salinity and levels of heavy hydrogen isotopes. Unusual undersea liquid carbon dioxide lakes have also been discovered on the ocean floors off Japan.

In contrast to the low-resonance isotopes that sink downward, the high-resonance isotopes rise through evaporation, acoustic levitation and enhanced ionization processes influenced by the ultra-low frequency emanations of the sun. Maya teachings inform us that the Celestial Waters of Tláloc rise high into the air, and the figure of Tláloc is depicted in various murals and drawings with concentric circles at his ears and eyes, wearing a headdress with long arching feathers extending outward:

Depictions of Tláloc often include a set of concentric circles over the third-eye chakra, just in front of the pineal gland, or wearing a headband with concentric circle alignments (as above).

These specific features of plumes and circles that are repeated serially throughout all of the representations of Tláloc precisely correspond to the nonlinear structure of standing waves and the distribution of acoustic energy that is expressed as alignments of giant concentric circles (below, left). This encoded formula is visible not only in the arching waveform plumes and circles of the headdress, but can also be seen inverted below the deity's face (below, right):

The imagery being preserved and reproduced by Maya cultural traditions encodes advanced quantum fractal equations that are deeply embedded in the subconscious mind by sacred artworks for reawakening at this crucial juncture in our collective development.

The many octagonal mandalas of the Maya culture act in the same way as the patterns impressed by higher consciousness as 'crop circles' - calling forth the deeper connections that inform our return to the ancient resonant lifestyle once practiced at all of the pyramids, temples and sacred sites of the world.

Among the ongoing efforts of many Maya wisdom teachers, Itza Maya Elder Hunbatz Men is initiating humanity in the use of the celestial waters of Tláloc for the magnetic activation process of the pineal gland by synchronization under the enhanced electromagnetic conditions of the Maya monumental structures. The crystal skulls are used to reawaken the inner knowledge of crystallization of the water of the human body, allowing memory of our collective higher path to unfold naturally from within.

This process of spiritual and physical purification by using the waters of memory is integral to the intended use of the pyramids, with one's barefeet in contact with the sacred ground and pyramid stones to enable an electric charge to build within the crystalline waters of the resonant human body.

Along with the heartbeat booming that once reigned at all pyramids worldwide for heart/mind synchronization, the sacred electrical currents building in the resonating pyramid stones are conducted through the crystallized cellular waters of the body to activate the trembling Kundalini serpent within, as electricity moves along the double-strands of DNA within the nucleus of every living cell.

The bioelectrical and acoustic effects of the resonating stone on the human body inform a new understanding of enigmatic stone artifacts that have puzzled archaeologists since their discovery. The psychoacoustic effects of metal helmets and stone head cradles have been already identified among the ancient Sanskrit artifacts of La Maná, Ecuador, while the Maya are very well known for their stone masks and even stone 'belts'.

The use of such a heavy granite 'belt' was not in sport as claimed and accepted by many archaeologists, and the animal symbolism carved into the stone belt itself reveals its true purpose. The spirit of the frog was represented in carvings on this granite belt (above). The frog symbol is closely associated with fertility, while the electro-acoustic effects of the stone belt under heartbeat booming conditions was used to enhance the fertility of women and men participating in advanced biorhythmic conception and gestation processes within the pyramid chambers. This also closely matches the interpretation of the granite box in the Great Pyramid's upper chamber as an acoustic water-birthing system used to synchronize mother and newborn into heartbeat resonance.

New translations of ancient Maya documents strongly support this biorhythmic hypothesis, describing the Kundalini energy as a solar power hidden within the DNA of every cell that must be developed by special resonant practices. While very few Maya codices have been preserved, only one of the these precious documents has been released to the world by the living lineholder who is capable of providing a direct, authentic translation as the primary source of this information. In great contrast to all of the misinterpretations and erroneous translations of western archaeologists and New Age gurus alike, the clear pronouncements of this ancient codex address the change of the ages as a shift in the quantum state of our planet's atmosphere.

The Maya/Aztec Pyramid of Fire Codex was secretly preserved during the Spanish conquest of Central America, in the care of the original lineage of special knowledge of the complex meanings of the hieroglyphic texts. The painstaking translation of the codex into Spanish and English was accomplished in 1961 with the collaboration of beat poet Martin Matz in Mazatec, Mexico, to be later published by John Major Jenkins with his scholarly interpretation in 2004 ('Pyramid of Fire: The Lost Aztec Codex: Spiritual Ascent at the End of Time' Bear & Co.).

The following quote from the Pyramid of Fire Codex is interspersed with images from other Maya documents that depict the plumes of Tláloc (highlighted), comprised of pure Protium vapors:

Chalchiuhtlicue, Goddess of Terrestrial Waters,
of that which flows, runs, surges, forward and down, arriving always at profounder levels.
Chalchiuhtlicue swells the fruits and flowers only so that they may drop.
Chalchiuhtlicue fills the gourd of pulque so that man may forget.
Chalchiuhtlicue, current that descends in the course of rivers, current that flows in the course of time,
making men's wastes and the implements of war inert and taking them to their inevitable end.

Tláloc, God of Celestial Water,
god of the vapor that rises, from the earth warmed by the sun after the rains,
god of the mist that ascends from the valleys at dawn,
god of the water that returns to its source in the clouds that swim over the highest peaks,
god of the humid incense from which rise the copal prayers and the prayers of sacrifice.

Tláloc is the return of vapor that strains to rise, is the return of time that strains to remember.
Tláloc, God of the Fight Against the Current, with whose aid the hero battles against the torrent
toward his own origin and beginning,
towards the wings of his soul, the wings that Tláloc hides in the hero's past.

Quetzalcóatl, the Plumed Serpent, moves between gods and men,
because Quetzalcóatl is God who permeates man and is the man that achieves God.
The Plumed Serpent is born when that which slithers over the Earth grows wings to be elevated to Heaven.
Quetzalcóatl is a superior man, the inner circle of humanity, the link between gods and men.

All men are made of earth, air, water, and fire ...
But in their hearts and in their semen, each man has his own coatl,
his own serpent, the energy of Tonatiuh, the power of the sun itself.
And in this serpent sleeps consciousness, in this serpent is hidden his divinity.
From this serpent his wings will grow.

There is an occult energy in the heart that comes from Tonatiuh, the Sun,
and if man releases it, returning it consciously to the sun, he becomes immortal.
But to liberate this energy, sacrifice is necessary.
Man must sacrifice the desires and habits that he adores, sacrifice them in himself,
and turn the knife against the enemy that he carries within himself, that keeps his heart a prisoner.

In recent times men still remembered these words, but they have now forgotten their significance.
They have made enemies of other men to sacrifice them and take out their hearts,
believing such offerings would propitiate Tonatiuh.
Such is their degeneration, such is their superstition.

When fear unites with knowledge, terrible things are done.
It is the self within ourselves that we have to sacrifice.
It is our own heart that has to be torn out of the false being and offered to the light.
May Xiuhtecuhtli, Lord of Fire, burn my false being.
May Itzli, Obsidian Knife, liberate my heart.

What is the blood that connects stones with soul, men with suns?
It is the universal unity, the one creative principle crystallizing into myriad forms,
and when liberated by sacrifice it returns to unity.

Because to sacrifice is to act consciously,
to sacrifice that which will be taken away is to deny the destiny that takes it.
Defraud Death by sacrificing Life;
because from the hand of the Goddess of Sacrifice that holds the obsidian blade
sprouts the germ of Life to come.

To sow life in the fires of sacrifice:
Are the flames rising on the Hill of the Star, toward Cauhlacan?
Or is it my own heart that is afire?

The cycle of years is past - the waiting ended. Come - reunite, pilgrims, for the sky is in flames!
From Xochicalco to Teotíhuacan the red spreads one step, another step, and another,
only twelve short steps from the cave of the womb to the final conflagration....

The flames rage in consummation- Rise, oh flames!
What light, what heat! What great holocaust! The smoke ascends and spirals...
Obscurity disappears as the flames rise to Tonatiuh, the purest light.

This profound transmission of unaltered ancient knowledge preserved among the Maya/Aztec stands alone as the most significant document with respect to what the ancient Mayan pyramid-builders themselves stated about the events at the close of the Tzolk'in calendar. The Pyramid of Fire Codex explicitly states that there will be a great conflagration in the skies, and this is in fact celebrated as the signal to reunite at the pyramids to receive the purest healing light that will descend as beams from the heavens upon the pyramids!

Modern photography of high-altitude red sprites exactly correspond to the depictions of the plumes of Tláloc that droop down above the activated pyramids when the sky is in flames. Red sprites are formed by the electrical superheating and dissociation of water molecules into HHO gas, and then inducing the monatomic hydrogen to implode, releasing intense heat and light in the form of infrared and ultraviolet-A.

While sprites have been observed to be common events that often occur in fractions of a second, a growing body of evidence exists to support the Maya contention that such HHO plasma formations were once interacting with the monumental pyramids for extended periods of time.

Red sprites in the high-atmosphere were recently witnessed as luminous vertical columns observed and photographed over Xiamen, China for over an hour. Red sprites have also been captured on film near ground level twice, in brief flare-ups about 6 hours apart, by a motion-sensing gametrail camera in Longview, Texas on 9-9-9:

The arching, serpent-like plumes of glowing HHO plasma appear to have spontaneously ignited at about 6 feet above ground level (above). The colors of the plasma appear to closely resemble those pink/red hues of the high-altitude sprites, which correspond to the known emissions of HHO plasma, formed by the ignition of water vapor as defined by Dr. R. Mills of Blacklight Power.

High-speed video-documentation of red sprites has been obtained at 10,000 frames per second, and when slowed down provides an example of what look like giant flaming trees extending dozens of kilometers into the sky, just as represented by ancient Maya artists on the walls of their piezoelectric limestone pyramids and temples:

The raging conflagration foretold by Maya wisdom traditions will consume the water vapor within the pyramid chambers, to be ignited at one pyramid complex after another as the sparks pass along the aerial pathways of infrasound standing waves.

The activation of HHO plasma within the pyramid chambers will offer profound opportunities for human consciousness, providing both spiritual and physical purification for those who choose to initiate themselves in the pyramid chambers by drinking celestial waters and maintaining barefoot contact with the piezoelectric stones.

Ceramic drinking jars (also piezoelectric conductors) have preserved both symbolic and literal images and writings of the Maya culture, and their view of the energy of life. One boldly decorated floral jar displays heiroglyphic texts with black and white stripes that spiral around the vessel (above, left). The stems of the flowers appear as smoke rising from a circle, representing the enhanced lifeforce of sacred water vapors rising from sacred sites.

On another Maya drinking vessel, the central figure is depicted in the chamber at the apex of a pyramid, standing below a very large balloon-like, illuminated light bulb - receiving a healing by exposing the whole body to the IR and UV-A light of HHO plasma (above, right). The resonant-transfer plasma reaction that occurs inside the vacuum bulbs is greatly intensified by the transduction of acoustic and electromagnetic energies that are concentrated within the pyramid chambers.

Ancient Egyptian wall reliefs of the Temple of Hathor at Dendera clearly depict the use of giant quartz lightbulbs powered by thick electrical cables (above). The giant quartz vacuum bulbs contained HHO gas which was electrified by a metal fixture at the base, shaped like a lotus flower, from which extends an undulating, luminous plume of HHO plasma that was depicted by ancient artists as a snake.

Other similar depictions of small HHO plasma bulbs in the Egyptian stone reliefs at Dendera have been recognized, with the same snake symbolism denoting the HHO plasma filament (below). Small modern recreations of the Dendera lightbulb have been built for demonstration at various exhibitions of ancient technology:

The healing effects of cellular regeneration and longevity by exposure to HHO plasma have been revealed in the independent experiments of Canadian inventor extraordinaire Troy Hurtubise, whose 'Godlight' HHO plasma beam device rapidly reduced cancerous tumors within a few days following an exposure to the skin of only 7 seconds per session.

These are the kinds of cellular rejuvenation and enhanced healing experiences that will become commonplace around the pyramids and sacred sites worldwide, endowing an enhanced longevity that will extend lifespans by hundreds of years.

The sacred Maya book known as the Dresden codex illustrates Tláloc in jaguar skins with concentric circles on his legs and torso, wielding an axe behind his head in one hand, while holding the flaming serpent that undulates in his grasp (above). This flaming serpent closely resembles the spiralling plasma plumes photographed in Longview, Texas. Along the swirling vertical plumes that rise above Tláloc, and above the cloud layer, clear representations of standing waves repeated in flower-like forms spaced along rows of dots.

These overwhelming consistencies between ancient depictions of the arching plumes of Tláloc and the phenomena of arching, ground-level red sprites confirms that the pyramids of the world were designed to function as a unified infrasound resonance system for igniting atmospheric plasma. When in full operation, the world's pyramids, megaliths and sacred sites will be illimunated by healing HHO plasma beams that will be seen in conjunction with red skies throughout the world as predicted by Apache Elder Grandfather Stalking Wolf.

The signs are manifesting in all parts of the world, informing humanity of the great changes that are imminent as the galactic superwave of Maya prophecy engulfs our planet in a new resonance, bringing the entire atmosphere and human consciousness into heartbeat alignment under the auroral plumes of Tláloc (illustrated below).