Resonance at Yonaguni Monument, Japan
by Alex Putney for Human-Resonance.org
January 13, 2015
In all parts of the world, ongoing underwater archaeology surveys being conducted on the continental shelves off the mainland coasts have yielded the spectacular remains of monumental constructions and ancient cities that challenge the imagination. The humungous scale of many of these subaquatic features of an antediluvian high civilization remain classified as National Security Secrets to this day.
The submerged city just offshore at Yonaguni Island is perhaps the most famous sunken megalithic city for its shallow 4-25m depth and often clear visibility of the water that facilitate high-quality video and photography. Yonaguni Monument, Japan (24.26°N 123.0°E) is 5,514 miles from the Great Pyramid, a distance that comprises 22.15% of the Earth's mean circumference distance of 24,892 miles.
Yonaguni is also situated 1,464 miles from the megalithic temples of Angkor Wat, Cambodia (13.43°N 103.83°E), long a great circle alignment of ancient temples at the resonant 5.9% distance interval from Angkor that includes the world-renowned sacred temple sites of Bodh Gaya, India; Lhasa, Tibet and Xi'an, China, where dozens of pyramids have been effectively censored from public awareness. This 5.9% distance alignment from Angkor also incorporates Indonesian megalithic sites in the Bada Valley, as well as piezoelectric temples in East Java such as Dieng, Borodubur, Candi Pawon, Candi Banon, Candi Mendut, Candi Ngawen, Candi Canggal and Candi Sukuh.
Precision alignments embedded in the geoposition of the Yonaguni Monument present undeniable evidence of the global networking of all Paleolithic pyramid and temples sites in a worldwide distribution pattern based on the quantum iterated function [ zn+1 = zn2 ] encoding the spherical Fibonacci structure of infrasound standing waves that envelope the planet and ultimately sustain all life-forms.
Another significant form of evidence connecting Yonaguni with other Paleolithic sites are in situ discoveries of stone tablets with Paleo-Sanskrit script. Having been deciphered by linguist and epigrapher K. Schildmann over a decade ago, the Paleo-Sanskrit language has been positively identified and translated from hieroglyphic inscriptions on stone artifacts retrieved by divers investigating the Yonaguni Monument.
Paleo-Sanskrit texts collected at Yonaguni present legible glyph sets incorporated into basic ligatures, together reading: Indra asu-as ra aiva upama Tridasa asu-as cakra cakra Tridasa-as raua-as kar ra-as kar ra-as aiva aiva, meaning "Jupiter: for life, granting eternity... the highest Thirty Resonances... for life of the era... the era for Thirty Resonances, for roaring works for granting, works for granting eternity..." (above).
A matching tablet fragment reads: kar Tridasa Tridasa cakra Indra kar * asu-as ra aiva raua ra cakra kar ra-as kar ra-as aiv aiva , meaning "Works (of) 30 Resonances... (of) the era (of) Jupiter's works, the one for life, granting eternity..., roaring granting, the era's works for granting, works for granting eternity..." (above).
A third tablet from Yonaguni reads: asu-as si Karrah kar ra-as Tridasa Tridasa adhi-as ra-as raua-as ra Kundalini * Indra Kundalini * , meaning "For life: your Creator, works for granting 30 Resonances, 30 Resonances... for delivering for granting for roaring..., granting Kundalini (of) the one, Jupiter, Kundalini (of) the one..." (above).
For millennia, the Jomon culture of present-day Japan and Korea built their villages with multiple high-rise buildings supported by paired rows of ~2m wide tree trunks likely exceeding eight stories in height, as exemplified at the later Neolithic archeological sites of Sannai-Maruyama, dated at ~5,000bp.
The submerged megalithic city of Yonuguni is a Paleolithic Jomon building complex that also displays pairs of ~1m postholes. The Sanskrit Jomon also crafted unusual ceramic dogu figurines, which have the appearance of pressurized deepsea diving or spacesuits. One fine example displays incised hieroglyphs that read: ra as-mi-is ra as-cakra cakra , meaning "Granting for synchrony, granting for the era, the era... " (above).
A Jomon vase overtly displays the configuration of standing waves to signify a simple repeating mantra: adhi adhi adhi , meaning "delivering, delivering, delivering..." (p. 133). This design closely replicates glyph texts engraved on the megalithic walls of Gavrinis passage chamber in present-day Brittany, France.
Fragmented examples of fine Jomon pots with pointed bottoms were also excavated, with glyphs reading: ris-as ris-as kar kar kar ra-as ra-as , meaning "for dwindling..., works, works... for granting..." (below).
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From the book Infraworld
Copyright 2015 Alexander Putney